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Saiyaan Mp3 Song By Shuja Haider & Rachel Viccaji In Coke Studio Season 12

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Saiyaan Song By Shuja Haider and Rachel Viccaji In Coke Studio Season 12

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Coke Studio 12 presents Saiyaan, a song about all-consuming love, woven with visual metaphors and Punjabi folklore.

Saiyaan is a song by Shuja Haider & Rachel Viccaji. Listen online or download Saiyaan song in mp3 format.

Download Saiyaan in high quality Mp3 from this site.

Saiyaan Mp3 Download:

Click on the below image to download Saiyaan mp3 song recorded in the superb vocals of Shuja Haider & Rachel Viccaji in Coke Studio Season 12.

Song Name	Saiyaan
Singer	Shuja Haider & Rachel Viccaji
Produced By	Rohail Hyatt
Album	Coke Studio Season 12 Episode 2
Released Date	25-10-2019

Saiyaan By Shuja Haider & Rachel Viccaji Lyrics With Translation:

سیّاں چھوڑ کے جاؤ گے جو بیّاں میری
saiyaan chhoṛ ke jaao ge jo baiyaan meri
Beloved, if you let go of my hand and desert me
نیّا ڈوب جائے گی، تو ہی نیّا میری
naiyya ḍoob jaaye gi, tu hi naiyya meri
My boat will flounder, you are my only anchor
نظریں ہیں زمانے کی بڑی بری
nazren hain zamaane ki baṛi buri
The world is very unfeeling and judgmental
او سیّاں چھوڑ کے جاؤ گے جو بیّاں میری
o saiyaan chhoṛ ke jaao ge jo baiyaan meri
Oh beloved, if you let go of my hand and desert me

اللہ جانے مینوں کیہہ پتا
allaah jaane mainoon keeh pata
God knows, I have no idea
خورے کہڑی ہوگئی اے خطا
khaure kihṛi ho gayi e khata
What error I am supposed to have committed
لکھ وار مناواں
lakh waar manaawaan
I try to cajole my beloved countless times
سوہنا یار بلاواں
sohna yaar bulaawaan
I plead with him to come back to me
کیوں چپ اے بنیرے اتے کاں
kyoon chup e banere utte kaan
So, why is the crow on my roof-ledge silent? Why doesn’t it announce an arrival?

میں تھاں مر (جانی آں)
main thaan mar (jaani aan)
I die instantly
میں تھاں مر (جانی آں)
main thaan mar (jaani aan)
I die instantly

اساں نئیوں چھڈنی ایہہ راہ
asaan naiyon chhaḍni eh raah
I won’t be diverted from this path
سچیاں محبتاں کراں
sacchiyaan muhabbataan karaan
My love for you is true
میرے پِچھے اے زمانہ
mere pichhe e zamaanah
The whole world has turned against me
اساں تیرے پچھے آوُنا
asaan tere pichhe aaona
But I won’t stop pursuing you
کیوں رب نیں بنائیاں یاریاں
kyoon rabb nen banaaiyaan yaariyaan
Oh, why has God created these bonds of love!

میں تھاں مر جانی آں وے
main thaan mar jaani aan ve
Oh, I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں وے
main thaan mar jaani aan ve
Oh, I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly

نواں جوڑا پا کے جدوں سامنے میں آواں گی
nawaan joṛa pa ke jadon saamne main aawaan gi
Putting on my new dress, when I will appear before you
شرما کے اکھیاں چ اکھیاں میں پاواں گی
sharma ke akkhiyaan ch akkhiyaan main paawaan gi
Shyly, I’ll let my eyes meet yours
تینوں جو پسند سوہنیا میں اوہ پکاواں گی
tainoon jo pasand sohniya main oh pakaawaan gi
I will cook all your favourite dishes, sweetheart
ریجھاں ساریاں میں تیرے متھے تے سجاواں گی
reejhaan saariyaan main tere matthe te sajaawaan gi
I will pin all my hopes and dreams on you

بیبا کر لے قدر
beeba kar le qadar
My dear, have faith in my love
ناں توں دنیا توں ڈر
naan toon dunya ton ḍar
Don’t worry about the rest of the world
کیوں دل تے چلاّئیاں آریاں
kyoon dil te chalaaiyaan aariyaan
Why do you hurt me this way?

میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں وے
main thaan mar jaani aan ve
Oh, I just die instantly

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میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں وے
main thaan mar jaani aan ve
Oh, I just die instantly

یار دے ویہڑے آئیٹپ ٹپ گلیاں
yaar de wihṛe aayi ṭap ṭap galiyaan
I arrived at my beloved’s home, treading through the lanes
لبھدی پھراں میں مل مل اکھیاں
labhdi phiraan main mal mal akkhiyaan
Rubbing my weary eyes, I wander in search of him
بےپرواہ میں عشق چ بنّہی آں
be-parwaah main ‘ishq ch bannhi aan
Without care or caution, I have yielded myself to love
بس تیرا مکھ دسّے باقی تے میں انّہی آں
bas tera mukh disse baaqi te main annhi aan
I wish to see only your face, and am blind to all else

جانویں گا توں شہر بھانویں جانویں پردیس وے
jaanwen ga toon shahr bhaanwen jaanwen pardes ve
Whether you go away to the city or travel to some far-off land
تیرے نال رہواں جنویں گوٹا تے لیس وے
tere naal rahwaan jinwen goṭa te les ve
I will stick by you like lace to cloth
ہتھ وچ ہتھ پاکے پھراں گی بازار وے
hatth wich hatth pa ke phiraan gi baazaar ve
Holding hands, we will browse through the shops
مینوں جو پسند آوے لنواں گی ہزار وے
mainoon jo pasand aawe lanwaan gi hazaar ve
Whatever I like, I will buy in plenty

ہویا دس کیہہ قصور
hoya das keeh qusoor
Tell me what I have done wrong
متّھے لا لیا فتور
matthe la liya futoor
That misfortune should stick to me so
کیوں چپ اے بنیرے اتے کاں
kyoon chup e banere utte kaan
So, why is the crow on my roof-ledge silent? Why doesn’t it announce an arrival?

میں تھاں مر (جانی آں)
main thaan mar (jaani aan)
I die instantly
میں تھاں مر (جانی آں)
main thaan mar (jaani aan)
I die instantly

اساں نئیوں چھڈنی ایہہ راہ
asaan naiyon chhaḍni eh raah
I won’t be diverted from this path
سچیاں محبتاں کراں
sacchiyaan muhabbataan karaan
My love for you is true
لکھ وار مناواں
lakh waar manaawaan
I try to cajole my beloved countless times
سوہنا یار بلاواں
sohna yaar bulaawaan
I plead with him to come back to me
کیوں چپ اے بنیرے اتے کاں
kyoon chup e banere utte kaan
So, why is the crow on my roof-ledge silent? Why doesn’t it announce an arrival?

میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly
میں تھاں مر جانی آں
main thaan mar jaani aan
I just die instantly

Credit:: Lyrics First Appeard on Coke Studio Season 12

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About Saiyaan Mp3:

When one thinks of the tales of the Subcontinent, a recurring theme easily emerges – that of love. There is the tragedy of Anarkali, entombed behind a brick wall by Emperor Akbar for her crime of falling in love with his son. She is left with a choice to make – surrender herself to her punishment or let her beloved bear the brunt of the Emperor’s wrath. And so, her life for her beloved’s.

The faqirs immortalize the tale of Sassi and Pannu in the shrines of Sindh, singing verses of the great Sufi saint from whom the story has traveled to us. The Sufi poet Shah Abdul Latif Bhittai tells the tale of Sassi, who traveled through the hills of Kech Makran, on foot, without food, water or hope. Dragging her withering steps, Sassi dies in search of her beloved. And her beloved, in turn, dies to be with her.

These stories abound throughout our land. In Balochistan, Mast Tawakali spends the night frozen in one place, dumbstruck and dumbfounded by one glimpse of Sammo’s beauty. In Khyber Pakhtunkhwa, Adam Khan has cried so many tears at being separated from Durkhanai, he is nearly blind. In Punjab, a grief-stricken Ranjha swallows a poisoned laddu (sweetmeat), determined to join Heer in the afterlife.

These stories whisper through the ages, flowing through history and finding their way into popular culture – songs sung by Madam Noor Jehan, poetry written by Ahmad Rahi, films directed by Khwaja Khurshid Anwar – and eventually into Shuja Haider’s ears. This is Saiyaan.

Shuja’s tale opens on a protagonist in angst, a jilted lover with a desperate plea. With a passion that cries out to the beloved, the protagonist coaxes them to return. And as Punjabi metaphors would have it, a crow sits on the roof but does not caw. In Punjabi folklore, if a crow settles on your rooftop and caws, it heralds the arrival of a guest. Unfortunately for our protagonist, the crow on their rooftop is silent – and so, there is no sign of their beloved.

The song progresses as the protagonist provides assurances to their beloved. This desire for the beloved is beyond restraint, our protagonist wishes to attach themselves to the beloved as gota (soutache) is stuck to lace. They are willing to wear what the beloved likes, cook what the beloved likes, be alienated by all of the world, as long as it earns the beloved’s favour. Without the beloved, their boat is sinking, misfortune follows them wherever they go. This is a song of submitting completely in the name of love.

The theme of all-consuming love, wrapped in visual metaphors, inspired from Punjabi folklore, is arranged over a composition that hints at music from the golden era of Pakistan’s film industry. Having watched some of the industry’s most iconic composers and musicians at work, Shuja is passionate about paying ode to them in his work. But the key, for him, is originality.

“We should try to sing like the great musicians and singers that have worked before us, but we shouldn’t sing what is theirs. I can’t sing like Mehdi Hassan, I can’t sing like Nusrat Fateh Ali Khan. I can sing like Shuja Haider.”

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Joining Shuja on vocals is Coke Studio’s very own Rachel Viccaji. In the weeks leading up to recording, Rachel can be found rehearsing her lines at every opportunity. Trying to make sure she is saying “muhabbataan”, not “muhabbataa”. “Chhaḍni”, not “chhadni”. She is not Punjabi, and she is determined to do justice to the language. In the end, Shuja and the house band reassure her that confidence is key and that ultimately, the rest will fall into place. With this trust, the pieces come together, and the performers bring the words to life, coming away with the energy that is created from an interactive recording.

Looking back, stories of the past remind us of a time when the act of love meant to surrender oneself fully. The love of Heer and Ranjha, Sassi and Punnu, is different from what we call love today, explains Shuja, it’s not easily found, but it did once exist and we are, as humans, still capable of it.

Credit :: Quoted From Coke Studio Season 12

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About Shuja Haider:

This season, Shuja Haider pays homage to the iconic masters he grew up around by composing a song inspired by their work. Born into a musical family, Shuja was surrounded by some of the industry’s finest¬¬. His grandfather, Master Sadiq Ali, was a renowned pianist in Lahore’s film industry and had a strong impact on Shuja’s career choices.

Shuja is a musician, composer, and songwriter who worked his way up from humble beginnings through a steep uphill climb, starting his career as a teenager. A true artist to his craft, Shuja made a name for himself through the sheer discipline of his expertise. To date, Shuja has worked on numerous original soundtracks for films and shows including Parwaaz Hai Junoon, and Khuda Ke Liye and has also worked on arrangements for classics from the 1990s such as Strings’ Sohniye and Mera Bichra Yaar. Having worked with some of the industry’s most reputable musicians, Shuja won a Lux Style Award for Best Original Soundtrack in 2014. Known for his diverse style, the artist has written, sung and composed songs on themes such as love and Divine devotion.

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“Music has given me hope. What is greater than hope? Who knows? If I couldn’t do music, I couldn’t have done anything else. What would I have? Just imagine. I don’t have a formal education. Where would I work? What would I do? Music is the biggest blessing in my life. Music has given me everything.”

Credit::Description Quoted From Coke Studio Season 12 Featured Artists

About Rachel Viccaji:

Returning to the mainstage this season is Rachel Viccaji, a household name in the Coke Studio family since Season 4, who has previously exhibited her vocal prowess with numbers such as Neray Aah, Kee Dam Da Bharosa, and Main Irada. Rachel grew up surrounded by music in her home and began her career at the age of seventeen by performing onstage in the musical Chicago. She then went on to perform onstage yet again with Mamma Mia, and later joined Coke Studio as a backing vocalist. An artist who is intrigued by the creative process, Rachel has sought artistic pursuits in the world of acting as well – her most recent credit being a starring role in Asim Raza’s Parey Hut Love. This Season, Rachel breaks out of her comfort zone once again, a challenge she is known to meet with creative zest.

“Music is life. Everything around you is music. In a busy street, or on a quiet roof, if you listen closely, you’ll [hear] different elements of sound and they all have a relationship to each other. There’s always music happening around you. We probably got jealous of the birds sounding so beautiful. People probably wanted to curate those sounds, so they said ok we’re going to create our own music. Somebody starts singing and then someone starts drumming and that’s music.”

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